Happy news! The March issue of EMG-Zine, all about dance, is now live: within its pages, you will find my very short story "When Death Dances." Please, do give the magazine a read-through! And, if you've a mind, tell me what you think of my sort-of fairy tale about dance and La Muerta. 
I've recently begun blogging for Cabinet des Fées, although both of my early blogs have been reviews of one kind or another. I'm incredibly grateful to Erzebet for the opportunity to do so, and hope all of you will check Cabinet des Fées often (or join
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cabinetdesfees , where the notifications come to you) to see what new content has gone up between official issues. I'm not the only contributor: besides my two reviews linked below, Donna Quattrone has reviewed Impossible by Nancy Werlin. My first blog went up on February 17th, and contains a rather personal look at the fairy tale "Brother and Sister" through the lens of Terri Windling's poetry and Lisa Stock's short film:
I remember, perhaps ten years ago, first reading Terri Windling’s "Brother and Sister." I was in college, on my own for the first time and, in several private ways, learning what it was to survive. It was the afternoon, golden light sliding through autumn trees and filtering through an unclothed window. I was thumbing through one of my favorite sites, The Endicott Studio, and there it was."do you remember, brother / those days in the wood…"
I read, rapt. I read again. And then I abandoned that cold dorm room of linoleum and concrete for the college green with its fringe of wood. I ached to leap and run, but I settled for hugging my goosebumped-arms and walking down to the white gazebo near the pond with its overgrown banks. Perhaps I wrote some; perhaps I only dreamed. Windling’s words rattled inside me, sowing fierce joy and nettling discontent.
[Read the rest of the article at this link.]
My second blog post, which went up just yesterday, covers Syfy's announcement that their new brand of Saturday Night Original Movies will be re-imagined fairy tales and the rather awful Beauty and the Beast that served as their launch piece:
Most of you are probably already aware of Syfy’s new Saturday night original movie plans: seeking fertile ground after endless iterations of disaster movies and mega-monsters, Syfy has turned their sights on fairy tales, legendary figures, and classic children’s literature.
It’s not completely surprising: Syfy’s airing of Tin Man in 2007 and Alice last year suggested a quiet testing of the waters, feeling for viewer response to dark re-imaginings of familiar childhood tales. I haven’t seen Tin Man, the bleak and fantastical riff on The Wizard of Oz starring Zooey Daschanel, but I’ve heard it wasn’t a waste. Its ratings were phenomenal (for Syfy) and it was nominated for several Emmys, one of which it won. This past December, I was fully immersed in the fan response to the grungy and noirish Alice starring Caterina Scorsone and Andrew Lee Potts — Alice in Wonderland post-legendary age, basically — and there is a relatively small, yet dedicated and thriving fanbase. Critical reception, on the other hand, has been much more tepid. (For my part, I thought Alice had great potential, but that’s a topic for a future review.)
[Read the rest of the article at this link.]
Discussion is keen! Share any thoughts you might have over in the comments sections at Cabinet des Fées!
This entry was originally posted at Livejournal on March 3rd, 2010. You can comment here or there.
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