talkstowolves: I speak with wolves and other wicked creatures. (Default)
As part of my celebration of International Pixel-Stained Technopeasant Day, I am planning to commit Twitterfic! However, I am definitely going to need your help for this one. It doesn't necessitate already having a Twitter account, but being previously active on Twitter does help. Read on to find out how to participate!



Twitterfics are incredibly concentrated bursts of creativity: microfiction of 140 characters or less. Here are two examples that I've featured here before, both comprising noirish takes on fairy tales:

1


He should've known the ballerina was trouble with her killer paper gam. Yet he smiled as he burned: she'd flared out first.

2


"You got in the way of a good thing, grandma," she said, as her lover's canines snapped tight on old flesh and housecoat all.



So, interested in seeing me write more? Join in the fun and give me a prompt! Send me a tell directly on Twitter @talkstowolves with a single word* and a theme: I'll write whatever you inspire!

If you don't have a Twitter account, you can still participate: just leave your prompts here, and be sure to check my Twitter feed throughout the day.



* I suggest using evocative words on the short side: I only have 140 characters to craft a tiny story, and longer words will eat up space.

This entry was originally posted on Livejournal. You can comment here or there.
talkstowolves: Pixel-stained Technopeasant Wretch, made infamous by SFWA VP Hendrix (outgoing). (technopeasant)
Welcome to the Fourth Annual International Pixel-Stained Technopeasant Day! We're giving it away for free around here all day long. You can find more excellent content available through [profile] ipstp, which will likely be updated by participants throughout the day. You can also browse through the past three years of IPSTP offerings at that community!

Confused about what International Pixel-Stained Technopeasant Day is? Read the origin story at Wikipedia.

Here's what I said about IPSTP Day in:
2007 (Year One).
2008 (Year Two).
2009 (Year Three).

Behold my offerings, all currently available through my website, blog, or various publications:

Stories
"When Death Dances," published in EMG-Zine. - (Concerning La Muerta.)
"In Extremis" - (Concerning a working-girl demon.)
"The Brotherhood of Applied Sciences" - (Concerning two immortal brothers in science.)
"Our Lady of Crows" - (Concerning the earliest story of crows.)
"And My Sky Full of Stars" - (Concerning the myths we build from friendship.)

Poetry
"My Small Army of Souls," published in Scheherezade's Bequest at Cabinet des Fées.
"Ireland, A Sapphic Poem," published in The Pedestal Magazine.
"Elegy for a Fallen Angel"
"Exhalation"

You can find further selections of prose and poetry at my website, or by perusing the IPSTP tag on my Livejournal.

I also encourage you to see my interstitial project marrying poetry and photography, Postcards from a Traveling Oracle: To Nine Sisters, from Kyoto. (You can find out more about this project at this post.)



Stay tuned for my next post, concerning further free content brewing for today!

This entry was originally posted on Livejournal. You can comment here or there.
talkstowolves: I speak with wolves and other wicked creatures. (talks to wolves)
Speaking of giving work away for free, [personal profile] cadhla has been doing it for years, both in the form of Iron Poet and her awesome poetry tutorials. Because I am mad like a mad thing and also enjoy learning shiny new skills, I have also been known to engage in a round of Iron Poet or two and also to use [personal profile] cadhla's tutorials to practice new poetry styles. (I even composed a Lover's Chain. No, you don't get to see it. Unless you're the person it was meant for, in which case you already have.)

For the third annual International Pixel-Stained Technopeasant Day, I have decided to share some of my apprentice labors with you all! (Don't laugh too hard. Constructive criticism's okay. ;))

First, a triolet inspired by Desire from Neil Gaiman's Sandman:

"Eyes of Desire"

Your eyes amber, the color of dunes,
burn me like the sun sears the sky.
What is this desire that within me blooms?
Your eyes amber, the color of dunes,
cut me deep, leave me bereft as the sea croons,
lapping against the shore, a desirous cry.
Your eyes amber, the color of dunes,
burn me like the sun sears the sky.



Second, a tilay:

"A Nap Beside the Quiet Sea"

When She hums an elegant tune,
my heart is put at ease once more.

The elegance is of sussuration:
a sea rising and falling in gentle breathing
and blue tones in my mind set to softly seething.
She invokes movement of imagination.

Whole worlds spiral; I fall to sleeping curled:
a double helix of stars slowly revolve here
in my heart, in my eyes as I lie sleeping there
and I recall when I first walked this world.

This, the meaning of dreaming's core:
my weave revealed in Mother's croon.



And, lastly, a Variant Italian sonnet:

"Gather No Hyacinths"

The past echoes,
sinking through dreams, deep into blood and bone:
a body-map of what was
drifting from you like smoke from fire.
How do we set this down, a book read,
consumed, left to seep into
the background of life unfettered?
Why stand still in startled rue?

The past echoes,
stirring a memory of eyes: grey stone,
and a cheek slapped because
your wings spread and took you higher.
Can we not set this down, a book read,
some pages torn out, held true,
on your heart stenciled and lettered?
Why still stand in startled rue?

When can we set this down, a book read,
cast off for its foolish view?
Will we live a life undeterred,
leave this life of startled rue?

I will scatter past ashes
with no sense of startled rue.
talkstowolves: Pixel-stained Technopeasant Wretch, made infamous by SFWA VP Hendrix (outgoing). (technopeasant)
Pardon my brief links here today! I am in the midst of the final week and a half of the spring semester of graduate school: I have two and a half papers to write and two exams to study for-- so I hope you'll understand my brevity!

With that now dispensed:
HAPPY THIRD ANNUAL INTERNATIONAL PIXEL-STAINED TECHNOPEASANT DAY! [Explanation here.]

Year One (2007):

The Internet (in some incarnation) is here to stay. Online interactive content is the wave of the future, and promoting the value of your work via the Internet is absolutely nothing to shy away from.

There are many, many artists that I have discovered online and subsequently spent large amounts of cash on. If it weren't for them freely posting some of their works to the Internet, I'm not sure that I would have found them as easily. This says nothing about their talent and everything about methods of physical distribution.

Click here to read the rest of this post.


Year Two (2008):

What I said last year still holds true today, and I'd like to add a little more commentary on how free work offered online affects the real world of paid work.

First, being able to sample new writers through their online journals and postings has turned me on to authors that I possibly never would have found before. (This is not a comment on how their work stands up among the market, but a comment on the sheer number of things out there that I want to read. Choosing among all the things I want to read can sometimes be a daunting task indeed.) The fact that I had sampled Elizabeth Bear's work sold me a copy of Dust. The fact that I read and enjoy [livejournal.com profile] seanan_mcguire's poetry is guaranteed to sell me a copy of whatever physically published work Seanan McGuire puts out. Becoming familiar with the amazing work of [livejournal.com profile] copperwise has guaranteed that I'll be purchasing a fine limited edition of Mia Nutick's Broken Glass Slippers, forthcoming from Papaveria Press.

Also, since last IPSTP Day, we've seen a couple of major publishers put entire works of their authors online-- for free.

Click here to read the rest of this post.


In my Year Two post, I discussed how Tor had just opened their new website: an interactive, creative place full of free offerings. This site has flourished in the last year: there is so much art and free fiction and miscellanea offered that I've honestly not had time to look at it all.

In the wreckage surrounding us thanks to the recent American economy, some people may worry about giving their work away without charge. However, I say it's even more important to do so now than it was in past years! You foster loyal patronage by showing your patrons what you can do, enticing them with your skills so that they feel moved to support your work.

Without further ado, I bring you my offerings:

Last summer, I began an experiment in cyberfunded creativity, inviting tips but not requiring payment for my work. I've had to put the project on hiatus due to graduate school, but here is a listing of the current offerings:
"In Extremis" (Concerning a working-girl demon.)
"The Brotherhood of Applied Sciences" (Concerning two brothers in science.)
"Our Lady of Crows" (Concerning the earliest story of crows.)
"Mortal Desires" (Concerning conversations with Death.)

I have had two poems published recently that are available in amazing online magazines, free of charge:
"My Small Army of Souls," published in the Sixth Issue (September 2008) of Scheherezade's Bequest, the online companion to Cabinet des Fées.
"Ireland, A Sapphic Poem," published in the 50th Issue (February 2009) of The Pedestal Magazine.

Just a couple of weeks ago, I published a number of my photographs from Kyoto, Japan, coupled with my words in a project called Postcards from a Traveling Oracle: To Nine Sisters, from Kyoto.

At my website, you can find a selection of free fiction and poetry, including my offerings for the previous years' IPSTP Days (which I list here below):
"And My Sky Full of Stars": A short work mixing creative nonfiction with abstract fiction, focusing on relationships. Year One (2007) offering.
"Elegy for a Fallen Angel": A poem considering the subsequent mortal life and mystery of a fallen angel. Year One (2007) offering.
"To Live": Short fiction on the interconnectedness of life through the tale of wolf and boy; originally published in Huntingdon College's The Prelude in 2001. Year Two (2008) offering.

Please see my next post for this year's offering: a selection of free poems, showcasing my practice in some specific poetic forms.

Also:
Visit the community to see many, many IPSTP Day offerings from others: [profile] ipstp.
Also see A Directory of Online Creations.
talkstowolves: Pixel-stained Technopeasant Wretch, made infamous by SFWA VP Hendrix (outgoing). (technopeasant)
For International Pixel-Stained Technopeasant Day, I am offering up a short piece of fiction that was published in Huntingdon College's The Prelude in 2001 (and was given away for free then, too). I wanted to create something new for this day, but it didn't get done and I'm actually drugged up due to a migraine right now. So I hope you'll forgive the digital reprint.

To Live
by Deborah J. Brannon


He lay upon the woodland floor, body bathed by the morning dew. The fingers of dawn caressed his body, strengthening as the moments went by, until they touched his eyes, picked them out of the shadow of night: a glitter of darkness, already open to this new morn.

His body remembered what task lay before him, though his mind lingered yet in the dream mist. He rolled to his feet, shaggy, fair hair brushing his shoulders; his step as he picked his way to a nearby stream was light as a wary doe's. His kind had learned to be quiet, in order to evade enemies, seek food. And the ribs now rising in sharp relief assured that no misstep would today cost him his quarry.

The man knelt beside the rushing water, delved his cupped palms into the stream to bring water to his parted lips. As he slaked his thirst, his eyes roamed the landscape about him, alert as any woodland creature.

He counted six magpies singing their raucous song and very nearly smiled. He was lucky not to have any needlessly small and shiny thing of value with which to tempt the little ones. He turned away, startled a hare he had not noted before, harvested some berries from a near-withering plant. They were bitter, but food, and made his last few strips of dried venison easier to swallow cold. He would need all his strength for what he must accomplish today.

Survival.

He'd ranged from his home-- more than a full day's stride-- seeking and following this small herd of deer. Once he'd picked up their trail, matched them stride for stride, he'd done as the world commanded: prepared himself for the hunt and asked to be wise and thankful.

He purified himself, dedicated his spirit to Cernunnos of the Wood, and slept cradled in the Mother's embrace-- the bole of an elderly oak for his pillow and leaves for his blanket. The God had kept the warrior safe while the Goddess sent him her blessing in dreams.

The doe he must kill, there, no young fawns at her side. But why did he run so low to the loamy smelling earth, feel the death of his prey flow between his teeth? Warm, the life. He lived.

He shook his head, pulling the gut from his pouch and set to stringing his yew wood bow. Though nearly as tall as him, he bent it easily, deftly completing his task.

He moved downstream to seek the shadow of the deer.

* * *


The young human caught up with the herd midday and summarily circled wide around them to find the worn trail though the forest that showed their kind preferred to pass there.

He'd hardly settled in his preferred position, off the trail and partially hidden, when the deer arrived much sooner than anticipated; the young warrior realized he'd not been the first to find them.

His heart's sudden pounding, the buck's sudden urgent passage with his brood not far behind disoriented the man, made him hesitate with his arrows, his bow.

Only the lame doe lagged behind, the one without fawns; only she felt the teeth of the wolf that closely followed, lone and hungered as the human that watched.

The dream shocked through him.

Another of the doe's legs went out from under her, ripped by the predator's teeth. Her eyes rolled, front legs flashed forward in the full desperation of this dance with death. He trained his arrow upon the wolf, breathing harsh as the fanged creature easily evaded her thrashing hooves and fastened to her throat, tearing it out as he jumped away.

Survival.

The wolf heaved every breath the twin to the man's. His fangs trailed red (he tasted the blood), pulled back from his teeth as he nearly took a step toward his conquered prey; yet he stopped, raised his eyes to meet those of the still hunter.

We are one. Brothers, you and I. She gave herself to us. The circle of life, death to feed life. We are one.

The powerful gray body leapt for the hunter, but had hardly left the ground when an arrow slammed well-intended into his chest.

The wolf collapsed amid a howling scream.

One.

He ate the heart and the eyes. Raw, with blood streaking across his face. He took the claws and the skin to make a cloak. The rest he left to the forest, to feed the cycle that would eventually consume him.

Fáilbhe, a newborn wolf, carried his deer home.





This story is archived at my website here.

Last Year's International Pixel-Stained Technopeasant Day offerings:
And My Sky Full of Stars (creative non-fictiony fiction)
Elegy for a Fallen Angel (poem)

You can find more free poetry at My Works on my website and elsewhere in this journal.

I hope you enjoy!
talkstowolves: Pixel-stained Technopeasant Wretch, made infamous by SFWA VP Hendrix (outgoing). (technopeasant)
Welcome to the second annual International Pixel-Stained Technopeasant Day!

What I said last year still holds true today, and I'd like to add a little more commentary on how free work offered online affects the real world of paid work.

First, being able to sample new writers through their online journals and postings has turned me on to authors that I possibly never would have found before. (This is not a comment on how their work stands up among the market, but a comment on the sheer number of things out there that I want to read. Choosing among all the things I want to read can sometimes be a daunting task indeed.) The fact that I had sampled Elizabeth Bear's work sold me a copy of Dust. The fact that I read and enjoy [livejournal.com profile] cadhla's poetry is guaranteed to sell me a copy of whatever physically published work Seanan McGuire puts out. Becoming familiar with the amazing work of [livejournal.com profile] copperwise has guaranteed that I'll be purchasing a fine limited edition of Mia Nutick's Broken Glass Slippers, forthcoming from Papaveria Press.

Also, since last IPSTP Day, we've seen a couple of major publishers put entire works of their authors online-- for free.

Harper Collins put Neil Gaiman's Hugo award-winning novel, American Gods, online for a month around March of 2008. It was available to everyone, and behold the initial reported impact on sales (quoted from Neil Gaiman's journal):

"And that the weekly book sales of American Gods have apparently gone up by 300%, rather than tumbling into the abyss. (Which is -- the rise, not the tumble -- what I thought would happen. Or at least, what I devoutly hoped would happen.)"

Now, Tor is doing something similar. They're promoting a new community experience they're setting up which, among other things, gives you a free book download a week. I haven't seen any reported figures on what this is doing for their sales, yet, but I can't imagine that it's burned them. (Also, how appropriate is it that the first book they gave away for free was Jo Walton's Farthing, when it was she who founded International Pixel-Stained Technopeasant Day!)

I'd also like to mention the awesome free story-giving that's going on in the physical world as I think it's part of this discussion: how about World Book Day in the UK and Free Comic Book Day in the U.S.?

In some ways, creators live or die by how easily their creations move: and the movement of their work can only be improved, not hurt, by allowing free access to pieces of it. This is something chocolatiers, software people, artists, and musicians know: why not booksellers and writers and poets?

You'll find my free contribution to this International Pixel-Stained Techonpeasant Day in the next post.

P.S. For a round-up of the works offered today, please see [livejournal.com profile] papersky's post or [livejournal.com profile] ipstp. Also, to remember what inspired IPSTP Day, please see this post by [livejournal.com profile] ellenmillion.
talkstowolves: We love stories that subvert the expected. Icon inspired by In the Night Garden, Valente. (not that kind of story)
As part of my celebration of International Pixel-Stained Technopeasant Day (explanation), I'd like to post one of my own poems. This poem is a result of one of my rounds of Iron Poet, but has previously been unreleased to the public before now. I hope you enjoy! Following the poem, you'll find links to more free poetry over at my website.

Elegy for a Fallen Angel
by
Deborah J. Brannon


What is it about autumn?
You always asked that question, when I knew you.
What is it about autumn?
every time something went wrong.
I stand by my assurance that as many things went wrong
for you in other seasons.
You were just stuck on autumn
(that is also called Fall)
because of the day you suffered
by a plan, or a mistake, that at least you never intended.
But you can never anticipate God.
You said that too.

You used to moan in your sleep.
I’d never tell you. I’d never even wake you,
spare you the pain of your dreamed remembrances.
I was selfish then. Your half-coherent mutterings
were the only window I had into your inhuman,
smoldering wreck of a heart.
The wind is swift and it hurts, you’d say.
The wind is swift and it hurts.
I made the connection one night, late when
intuitive leaps seem more acceptable and true.
The wind knifed you as you fell from a very long height,
a height no human could hope to survive.
I wondered who pushed you.

When you started coughing up blood,
I knew you’d be going home soon.
I didn’t know whether they’d let you in
and you probably didn’t either.
You didn’t seem any happier to leave,
at any rate. I thought I should ask you some questions.
I wanted to know about the swift wind that hurt.
I wanted to hear you say why you really disliked autumn.
I wanted to believe, wanted inalienable validation.
You died in autumn,
with little fanfare and absolutely no heavenly host
and my questions still unasked.
Who can believe in a story like that?

From the Original works section of my website:
Misdeed of an Oncogene
talkstowolves: I speak with wolves and other wicked creatures. (Default)
The Internet (in some incarnation) is here to stay. Online interactive content is the wave of the future, and promoting the value of your work via the Internet is absolutely nothing to shy away from.

There are many, many artists that I have discovered online and subsequently spent large amounts of cash on. If it weren't for them freely posting some of their works to the Internet, I'm not sure that I would have found them as easily. This says nothing about their talent and everything about methods of physical distribution.

A few examples:

I found Stephanie Pui-Mun Law online and have spent hundreds of dollars on her artwork. I found Ursula Vernon online as well: I haven't spent hundreds on her, but I've spent a bit.

I also discovered the beautiful work of [livejournal.com profile] elisem online, and I'm not even sure I want to figure up how much money I've spent on her jewelry.

In the realm of written works, I've discovered so many excellent authors online. Some I was introduced to via Endicott Studio (brilliant mythic arts site) and some I've found through various blogging sites: e.g., Catherynne M. Valente, Peg Kerr, Mia Nutick, and Jo Walton. Not to mention writers like [livejournal.com profile] quassandra, [livejournal.com profile] besideserato, [livejournal.com profile] thewriteratwork, [livejournal.com profile] aglassyday, [livejournal.com profile] haikujaguar, [livejournal.com profile] jackbabalon23, [livejournal.com profile] kijjohnson, [livejournal.com profile] lyda222, [livejournal.com profile] penmage... the list goes on.

Do I even need to mention the amazing singing of S.J. Tucker, which I also only discovered because some of her songs were posted for free online?

I am a proud member of these Pixel-Stained Technopeasant Wretches. Make no mistake.

With all that being said, please find links below to my contributions to today's Technopeasant Revolution Celebration. I'll try and get them up on their own pages on the 'net (and on my website) later, but for now you'll have to read it via livejournal.

Poetry:
Elegy For A Fallen Angel (posted earlier as today's Intermittent Poetry Attack!)

Creative Nonfictiony Fiction:
And My Sky Full of Stars
talkstowolves: We love stories that subvert the expected. Icon inspired by In the Night Garden, Valente. (not that kind of story)
Welcome to the first International Pixel-Stained Technopeasant Day!

I hope you enjoy all the free works that have been made available to you today, most of which you can find by visiting this post over at [livejournal.com profile] papersky's journal.

If you're a creator and agree with the spirit of the day, give something away! If you're a consumer, make a post about the creators that you've come to know and appreciate by seeing their works online.

I have already made some icons available to any Pixel-Stained Technopeasant Wretch (or Wench!) as wants them.

My posting of original work will have to wait until later, though, as I didn't have time to proofread it and get it up yesterday. I'll do that when I get home from school. Today's Intermittent Poetry Attack! will also include free poetry by me. Watch out for it!

March 2017

S M T W T F S
   1 234
5 67891011
12131415161718
19202122232425
262728293031 

Custom Text

Syndicate

RSS Atom

Styled By

Expand Cut Tags

No cut tags
Powered by Dreamwidth Studios