talkstowolves: English: Mutilating other languages since 1066. The bully.  (language)
Yesterday, via tithenai, I discovered that it was Talk Like Shakespeare Day in addition to being International Pixel-Stained Technopeasant Day. Rapscallion that I am, I didn't even visit the website before engaging in the following conversation with a friend (who, for obvious reasons, I shall here refer to as 'cos'):

Our Heroine: You know, Talk Like Shakespeare day is just not as much general fun as Talk Like A Pirate Day.
Our Heroine: I mean, you really need a drunk English department to enjoy the former properly.
My Cos: I think I'd need to do a lot more prep work for that.
My Cos: Pirate Day, you can get through with an "arr" or "matey" here and there.
Our Heroine: Oh, totally. I'd only want to talk in Shakespeare's actual lines, so I'd have to download them all into my brain or just flail around, butchering his plays terribly.
My Cos: Shakespeare...I dunno. I use "praytell" and "prithee" in regular conversation, so I'm not sure anyone would notice. Maybe I should invest in a codpiece for next year, hope the costume helps.
Our Heroine: The Codpiece of 17th Century English.
My Cos: Best D&D Item Ever?
My Cos: Exceeding the "Gloves of Hymen" that came up in a long a bizarre (and drunk!) conversation at the cake party last year.
My Cos: I really should hit the xkcd boards again.
Our Heroine: 0_0

(I should note, with a bit of cheek-coloring embarrassment, that I had this conversation with more than one person yesterday because it amused me so. I might be conflating them a bit in this transcript. Apologies and love to my dear cos-es-es. Es.)

Anyway, after reading the actual guidelines of Talk Like Shakespeare Day, I am much more amused and almost willing to give their fashion of "talking like Shakespeare" a go next year:

How to talk like Shakespeare...

1. Instead of you, say thou. Instead of y’all, say thee.
2. Rhymed couplets are all the rage.
3. Men are Sirrah, ladies are Mistress, and your friends are all called Cousin.
4. Instead of cursing, try calling your tormenters jackanapes or canker-blossoms or poisonous bunch-back’d toads.
5. Don’t waste time saying "it," just use the letter "t" (’tis, t’will, I’ll do’t).
6. Verse for lovers, prose for ruffians, songs for clowns.
7. When in doubt, add the letters "eth" to the end of verbs (he runneth, he trippeth, he falleth).
8. To add weight to your opinions, try starting them with methinks, mayhaps, in sooth or wherefore.
9. When wooing ladies: try comparing her to a summer’s day. If that fails, say "Get thee to a nunnery!"
10. When wooing lads: try dressing up like a man. If that fails, throw him in the Tower, banish his friends and claim the throne.


I must admit that I randomly "talk like Shakespeare" anyway. I am much enamored of Much Ado About Nothing, for one, and have memorized large swathes of the play, including much of Beatrice and Benedick's witty bickering. Because he found it funny, my oldest brother likewise memorized certain parts so that we could go back and forth at the dinner table on many a mother-maddening occasion.

Now, we randomly and occasionally throw these mean-spirited yet well-worded barbs back and forth through text to our ridiculous glee.

...

And this has been your moment of "Shakespeare in the Modern Day"! I bid thee good morrow!
talkstowolves: I speak with wolves and other wicked creatures. (Default)
Well, best start hiding your books. The Firemen are on their way:

Publisher makes lite work of the classics. For those of you who don't click on the link, allow me to say that this publisher got the brilliant idea to publish "Compact Editions" of class works such as Moby Dick, Anna Karenina, David Copperfield, etc. This means, essentially, that they're eliminating 40% of the books in order to make them more accessible.

Frankly, this is bullshit. As a writer, I am emphatically against other people deciding what does and does not belong in the final editions of my works. Note, however! I do recognize the value of editing, but not such mass butchery. If you don't want to read all of a book, skim. Don't permit someone to fix these books arbitrarily, cutting out entire subplots, chapters, etc., in the name of making something more "accessible." Some of the books on the publisher's list aren't even that complicated or inaccessible in the first place!

Argh. And no, I don't agree with abridged versions either.

Link found via this post on [livejournal.com profile] pegkerr's livejournal.


* * *


My best friend ([livejournal.com profile] crowley) provided this humorous link:
How To Use Analogies and Metaphors In Your Essay and Get National Fame.

I can't even choose which one is my favorite: there are too many horrible and equally amusing ones! I would really appreciate the creativity spent in coming up with these if they were intentional. The thought that they're unintentional would almost be too much to bear if I hadn't spent the last 8 months teaching high school English.

The list, reproduced for you here... )
talkstowolves: Writer by heart, English teacher by trade.  (bad grammar makes me sic)
I'm making my seniors read a poem each day in class since it's National Poetry Month. We take the first few minutes of class to read the poem, briefly discuss what it's about, and then to express what we think about it or how it makes us feel.

Today's poem was Percy Bysshe Shelley's "Ozymandias." For your edification (and/or enjoyment), find the text of this poem below the cut:

Look upon my works, ye mighty... )

Of course, I had to explain it to them. I don't mean that I simply had to fill them in on the historical context (Ramses II and all that). NO. I had to tell them that, within the text of the poem, you read that the author meets a traveler who tells him about a broken statue of arrogant expression. And that the traveler reads an inscription that proves very ironic, given the shattered statue and the encroaching barren sands.

As I was explaining these basics to them, they interrupted me no less than twice to tell me they didn't understand. I became vexed and spoke over them, quite loudly, and somewhat caustically. All this before I even got to the historical aspects.

I weep for the future of America.

Meanwhile, in my Film Studies class, we've been watching Casablanca. At least 1.5 students actually got into it. I was so pleased and I didn't mind at all having to stop the movie multiple times to explain quips, plot points, or context to them. They were interested and wanted to understand. That was so refreshing.

Casablanca is one of my favorite movies of all time. It comes from an era when movie-makers didn't assume their audiences were stupid or possessed of 2-minute attention spans. I love the clever wordplay, the characters, and... yeah, it's just awesome.

I am clearly too tired, yet I said I would finish watching Van Wilder with my brothers. Obviously this is a far cry from the film I was just describing, but it's still amusing. Ryan Reynolds cracks me up.


P.S. For an awesome post on the myth of the medieval knight, please see this post on [livejournal.com profile] sirandrew's journal!
talkstowolves: Books + tea, books + coffee, either way = bliss.  (reading is a simple pleasure)
Does anyone recognize the following short story plot?

A man is killed (in battle, I think). His body decays and is absorbed by the grass. The grass is eaten by a cow, which is slaughtered for its meat. (Or it may be eaten by a goat who is milked for its milk?) The food is consumed by a man and then this man kills the one who originally killed the soldier?

I think I'm missing a few steps and he may actually eventually work himself into the iron of the weapon that is used to kill the man who killed him. I can't quite recall.

Anyway, anyone have a story name or author? I really want my kids to read this short story.

March 2017

S M T W T F S
   1 234
5 67891011
12131415161718
19202122232425
262728293031 

Custom Text

Syndicate

RSS Atom

Styled By

Expand Cut Tags

No cut tags
Powered by Dreamwidth Studios