Happy International PSTP Day!
Apr. 23rd, 2008 02:55 pmWelcome to the second annual International Pixel-Stained Technopeasant Day!
What I said last year still holds true today, and I'd like to add a little more commentary on how free work offered online affects the real world of paid work.
First, being able to sample new writers through their online journals and postings has turned me on to authors that I possibly never would have found before. (This is not a comment on how their work stands up among the market, but a comment on the sheer number of things out there that I want to read. Choosing among all the things I want to read can sometimes be a daunting task indeed.) The fact that I had sampled Elizabeth Bear's work sold me a copy of Dust. The fact that I read and enjoy
cadhla's poetry is guaranteed to sell me a copy of whatever physically published work Seanan McGuire puts out. Becoming familiar with the amazing work of
copperwise has guaranteed that I'll be purchasing a fine limited edition of Mia Nutick's Broken Glass Slippers, forthcoming from Papaveria Press.
Also, since last IPSTP Day, we've seen a couple of major publishers put entire works of their authors online-- for free.
Harper Collins put Neil Gaiman's Hugo award-winning novel, American Gods, online for a month around March of 2008. It was available to everyone, and behold the initial reported impact on sales (quoted from Neil Gaiman's journal):
"And that the weekly book sales of American Gods have apparently gone up by 300%, rather than tumbling into the abyss. (Which is -- the rise, not the tumble -- what I thought would happen. Or at least, what I devoutly hoped would happen.)"
Now, Tor is doing something similar. They're promoting a new community experience they're setting up which, among other things, gives you a free book download a week. I haven't seen any reported figures on what this is doing for their sales, yet, but I can't imagine that it's burned them. (Also, how appropriate is it that the first book they gave away for free was Jo Walton's Farthing, when it was she who founded International Pixel-Stained Technopeasant Day!)
I'd also like to mention the awesome free story-giving that's going on in the physical world as I think it's part of this discussion: how about World Book Day in the UK and Free Comic Book Day in the U.S.?
In some ways, creators live or die by how easily their creations move: and the movement of their work can only be improved, not hurt, by allowing free access to pieces of it. This is something chocolatiers, software people, artists, and musicians know: why not booksellers and writers and poets?
You'll find my free contribution to this International Pixel-Stained Techonpeasant Day in the next post.
P.S. For a round-up of the works offered today, please see
papersky's post or
ipstp. Also, to remember what inspired IPSTP Day, please see this post by
ellenmillion.
What I said last year still holds true today, and I'd like to add a little more commentary on how free work offered online affects the real world of paid work.
First, being able to sample new writers through their online journals and postings has turned me on to authors that I possibly never would have found before. (This is not a comment on how their work stands up among the market, but a comment on the sheer number of things out there that I want to read. Choosing among all the things I want to read can sometimes be a daunting task indeed.) The fact that I had sampled Elizabeth Bear's work sold me a copy of Dust. The fact that I read and enjoy
![[livejournal.com profile]](https://www.dreamwidth.org/img/external/lj-userinfo.gif)
![[livejournal.com profile]](https://www.dreamwidth.org/img/external/lj-userinfo.gif)
Also, since last IPSTP Day, we've seen a couple of major publishers put entire works of their authors online-- for free.
Harper Collins put Neil Gaiman's Hugo award-winning novel, American Gods, online for a month around March of 2008. It was available to everyone, and behold the initial reported impact on sales (quoted from Neil Gaiman's journal):
"And that the weekly book sales of American Gods have apparently gone up by 300%, rather than tumbling into the abyss. (Which is -- the rise, not the tumble -- what I thought would happen. Or at least, what I devoutly hoped would happen.)"
Now, Tor is doing something similar. They're promoting a new community experience they're setting up which, among other things, gives you a free book download a week. I haven't seen any reported figures on what this is doing for their sales, yet, but I can't imagine that it's burned them. (Also, how appropriate is it that the first book they gave away for free was Jo Walton's Farthing, when it was she who founded International Pixel-Stained Technopeasant Day!)
I'd also like to mention the awesome free story-giving that's going on in the physical world as I think it's part of this discussion: how about World Book Day in the UK and Free Comic Book Day in the U.S.?
In some ways, creators live or die by how easily their creations move: and the movement of their work can only be improved, not hurt, by allowing free access to pieces of it. This is something chocolatiers, software people, artists, and musicians know: why not booksellers and writers and poets?
You'll find my free contribution to this International Pixel-Stained Techonpeasant Day in the next post.
P.S. For a round-up of the works offered today, please see
![[livejournal.com profile]](https://www.dreamwidth.org/img/external/lj-userinfo.gif)
![[livejournal.com profile]](https://www.dreamwidth.org/img/external/lj-community.gif)
![[livejournal.com profile]](https://www.dreamwidth.org/img/external/lj-userinfo.gif)