Journey

Jan. 7th, 2013 08:29 am
talkstowolves: I speak with wolves and other wicked creatures. (talks to wolves)

Everyone ready for some Journey?

Whoa, wait. Put down the karaoke mic. And you, in the corner. If you don’t stop “don’t stop BELIEVIN’” under your breath, I’m going to strangle you with this microphone cord. (Not really.) (Really.)

Journey. For the PlayStation 3. By thatgamecompany. Won a ridiculous number of awards, including Game of the Year from GameSpot, Entertainment Weekly, IGN, etc. The musical score has been nominated for a Grammy. Here’s a promo image to make sure we’re on the same page:

I picked this up from the PSN just after Christmas, when it was on sale for $7 and some change. If we’re going to be friends, there are some things you should know about me: I can’t resist the color red. Seriously, if you put anything red and shiny in front of me, you will capture my attention. I’m worse than Jeremy the crow over here. (That is an oldschool The Secret of NIMH reference, educate yourselves.) Furthermore, I have a not-so-secret yen for Lisa Snellings’ poppet figurines and this entire game can basically be construed as the universe next door to Snellings’ Poppet Planet. Except without the creepiness some people insist the poppets carry. (People who won’t let me bring any of those poppets home. Not naming any husband names here.)

I don't suppose I'm helping my own point here.

Read the rest of the review at my site!

Mirrored from geekdame.com. Please comment there.

talkstowolves: I speak with wolves and other wicked creatures. (Default)


“The Snowmen,” 2012’s Christmas special of Doctor Who, has absolutely restored my excitement for this series about adventure and time travel and a “madman with a box.” That sense of wonder, eroded by lackluster episodes in the first half of Series 7, was alive and kicking in this holiday story of killer psychic snow and a contrary governess.

Seriously, after finishing it, all I could do was flail and shout “I AM EXCITE.” I’m sure my husband would’ve been annoyed if he weren’t doing his own version of the same.

This episode was a winner in spite of itself: it’s pretty weak as a standalone, and the villain did not impress. Can we just talk for a minute about how disappointing it is that the Great Intelligence ended up being both irrelevant and forgettable? I’ve got two names for you: Richard E. “I have waited so long to become canonical!” Grant and Ian “I am the boss” McKellen. Richard E. Grant is apparently such a fan of Doctor Who that he’s played the Doctor in two different non-canonical works1 and finally managed to land the role of a villain on the show itself. Ian McKellen is, of course, the might of Gandalf, Magneto, Iorek Byrnison and himself combined -- he is not a person to be trifled with. So why stick them with a talking snowglobe and an army of snowmen driven by the petulance of a misanthropic 8-year-old? There was a deeper story available there that could have mined the GI’s longing for corporeal form and Dr. Walter Simeon’s longing to be alone. Mined them like a pathos-miner.

Hey, remember that time the Doctor pretended to be Sherlock Holmes when he barged into Simeon’s office for the first time? Remember how terrible at it he was? That’s even more evident once you remember the Doctor faced the GI twice before. Even if that was nine incarnations ago, you’d think the Doctor would have put it together before the very end of the episode. Oh well, at least it explains why the GI had RoboYeti’s terrorizing the London Underground almost a century later.

RoboYetis: not kidding.


Read more: Here’s what made the episode! And it involves GIFs, not even gonna lie.

Mirrored from geekdame.com. You can comment here or there.

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