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How often is the thing that brings a story to life a question of grammar? And yet, I know exactly what Linda Nagata means. Here she is, explaining how verb tenses turned out to be the key:

***

cover for THE LAST GOOD MAN by Linda NagataIf there ever was one bright spark, one bit of insight, one unexpected plot twist that brought The Last Good Man to life, I don’t remember it. What I do remember was how flat and uninteresting the manuscript felt to me in the earliest days.

This wasn’t an unusual situation for me. Beginnings are hard and it can take time to work out a tone and style that feels right. So I kept pushing forward, telling myself that if I kept going, the essential spark that every novel needs would eventually ignite.

It didn’t happen. Not for over 30,000 hard-fought words. Sure, the story was advancing but I wasn’t happy with the tone or with the way it was being told—and I didn’t know why.

I’d done my preliminary work—a lot of preliminary work. I’d been tossing ideas into the literary stew pot for months, revising my synopsis again and again. This was a very near-future story centered on a small private military company—contract soldiers of the sort hired by corporations, NGOs, and the US government. These were “white hat” mercenaries, choosy about their clients, working only for the good guys, and though they were a small force, that force was amplified by the autonomous robotic weaponry they could deploy. And I had an unusual protagonist in True Brighton.

Middle-aged women are not generally considered cool enough to serve as the lead in a techno-thriller, but I wanted to give it a shot—I wanted the challenge—so I made True forty-nine years old, a retired US Army veteran and mother of three who is still fit, strong, and agile enough to qualify for field missions.

All the pieces seemed right. For months I’d sensed the potential in this story, but still somehow the spark was missing.

Up to this point I’d been writing in third person, past tense. Then—30,000 words in and on the verge of despair—I chanced to read a novel written in third person, present tense and I was intrigued. Could I write The Last Good Man in third person present?

Present tense is commonly used with first person, where the narrator relates the story using “I” or “we.” I’d done a whole trilogy in first-person present. But I’d never written in third-person present. Inspired by the novel I was reading, I decided to try it.

And I liked the energy of it! It was just a technical change, but at last the tone of the story felt right. I continued to move ahead, writing additional pages every day in present tense, and at the end of the day I would revise my past work, gradually shifting it from past tense to present, adding detail as I did.

I was far, far happier with the feel of the story. The change in tense had given it the spark it needed—or maybe it had given me the spark I needed. Whichever it was, I never considered shifting back.

***

From the cover copy:

Scarred by war. In pursuit of truth.

Army veteran True Brighton left the service when the development of robotic helicopters made her training as a pilot obsolete. Now she works at Requisite Operations, a private military company established by friend and former Special Ops soldier Lincoln Han. ReqOp has embraced the new technologies. Robotics, big data, and artificial intelligence are all tools used to augment the skills of veteran warfighters-for-hire. But the tragedy of war is still measured in human casualties, and when True makes a chance discovery during a rescue mission, old wounds are ripped open. She’s left questioning what she knows of the past, and resolves to pursue the truth, whatever the cost.

“…a thrilling novel that lays bare the imminent future of warfare.” —Publishers Weekly starred review

Linda is a Nebula and Locus-award-winning writer, best known for her high-tech science fiction, including the Red trilogy, a series of near-future military thrillers. The first book in the trilogy, The Red: First Light, was a Nebula and John W. Campbell Memorial-award finalist, and named as a Publishers Weekly Best Book of 2015. Her short fiction has appeared in Analog, Asimov’s, The Magazine of Fantasy & Science Fiction, Lightspeed, Nightmare, and several anthologies.

Linda has lived most of her life in Hawaii, where she’s been a writer, a mom, a programmer of database-driven websites, and an independent publisher. She lives with her husband in their long-time home on the island of Maui.

Website | Twitter

Originally published at Swan Tower. You can comment here or there.

swan_tower: (gaming)
[personal profile] swan_tower

I’ve been sitting on this news for nearly a year, waiting for my first piece to go live so I can tell you all about it.

So there’s this game called Legend of the Five Rings. It was a collectible card game and RPG; I got involved with the RPG, doing some freelance work for the later parts of fourth edition, because it had sucked me in overnight. The setting, Rokugan, is inspired by Japanese history and culture, and it’s got the kind of rich worldbuilding that makes the place come to life for me. So when the parent company sold L5R off to Fantasy Flight Games, I was, shall we say, rather determined to stay involved.

And I am. But not writing for the RPG this time: instead I’m one of their fiction writers. You see, one of the defining characteristics for L5R has always been the ongoing narrative of the game, influenced by the winners of various tournaments, and expressed through official canon stories.

My first story is here!

I think it should be a decent introduction to the setting for those who aren’t familiar with it. (In fact, that’s one of the goals for this first set of stories: give newcomers an overview of Rokugan, clan by clan.) If you like what I wrote, you might find L5R overall interesting, and you can check out the other fictions here (those provide links to the pdfs if you want to see the pretty formatted versions).

Yeah . . . I’m pretty excited. 😀 The setting has been rebooted back to the Clan War, so there’s an opportunity to do all kinds of cool new things, and this story provided a really great chance to showcase that, with the Dragon facing two entirely fresh conflicts that don’t come with easy answers attached. And I’m working on more stuff as we speak, so my involvement will be ongoing. *\o/*

Originally published at Swan Tower. You can comment here or there.

New Worlds and Dice Tales!

Jun. 19th, 2017 10:53 am
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[personal profile] swan_tower

The most recent New Worlds post is on sumptuary laws, i.e. the ways in which societies try to regulate the outward signifiers of class and rank.

Looking back at my previous blog series of BVC — Dice Tales is now set to be an ebook! You can currently pre-order it from Amazon, Barnes and Noble, Google Play, iTunes, and Kobo; or you can wait for the on-sale date of July 18th and get it from DriveThruRPG or direct from the publisher, Book View Cafe. This is edited and expanded from the original blog series, with more than half a dozen new essays.

And — as a teaser — while it is my first foray into game-related publishing, it may not be my last . . .

Originally published at Swan Tower. You can comment here or there.

Vid: Halfway Away (Yuri!!! on Ice)

Jun. 17th, 2017 07:27 pm
starlady: (bibliophile)
[personal profile] starlady
source: Yuri!!! on Ice
audio: CHVRCHES, "Clearest Blue"
length: 3:54
stream: on Vimeo
download: 229MB on Dropbox
summary: "While you were being heterosexual, I studied the blades on ice." -- @viktorbottom

Premiered at [community profile] vidukon_cardiff 2017.

tumblrAO3


Password: katsudon

Vidding TV shows is so much work. I was cutting this one until about two hours before the deadline, exacerbated by the fact that the Blu-Ray of the last volume came out literally the day before the deadline. I initially used a low quality rip of the creditless ending and was resigned to a different version online than on the con DVD, but then due to some serendipitous technical difficulties, resolved at length by the very patient and excellent con staff, I actually was able to get a file with a high quality rip of the ending into the con--of course it came out less than 24 hours after said deadline. (If I ever get access to Blu-Ray rips, I may remaster it, just because they changed so much for the disc releases.)

As for the vid itself…I had this song in mind since about January. Yuuri and Victor love each other a lot, okay, and they meet each other in the middle, eventually, every time.

Lyrics

that whole “tikkun olam” thing

Jun. 15th, 2017 10:09 am
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[personal profile] swan_tower

I’ve been making these tikkun olam posts for about half a year now, and responses to them have been slowing down, which I suspect is in part a sign of fatigue. It’s hard to keep on working to repair the world when so many people seem determined to break it, and when it’s hard to see any result for your effort.

But sometimes you can make a very real difference to a very specific person. Chaz Brenchley has put out a call raising funds to treat his wife’s multiple sclerosis. If we lived in a country where this was covered by insurance, they wouldn’t have to worry; instead we live in a country where Republicans are trying to take away even the insurance we already have. Karen is the primary earner in their family, and she doesn’t know how soon she’ll be able to return to work. Helping out, either by donating directly, or by subscribing to Chaz’s Patreon, can make all the difference in the world to these two people, and to their friends and family.

And while you’re at it, call your senators and beg them to oppose Trumpcare. Because I’d like to live in a world where things ranging from anxiety to surviving sexual assault don’t count as “pre-existing conditions,” and where health insurance companies are required to cover things like doctor’s visits.

Originally published at Swan Tower. You can comment here or there.

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